Wednesday, April 19, 2017

From Professor to Publisher












By Richard Gutkowski













Just months after my first self-published book (with a second literary baby on the way), my retirement to emeritus professor of civil engineering has allowed me to step in a new direction – writing for the real world. 




My first step was in the backward direction; a return to my youthful wanderlust: writing fictional works. Publishing something fictional, somewhere, somehow was the dream. Now, I had time pursue it. 


Wednesday, April 12, 2017

Diversify Your Portfolio




by Laura Mahal


















How’s your asset mix of late? Are you prepared to cope with the volatility of the market? No, I’m not asking if you’ve  invested 60 percent in stocks, 40 percent in bonds, or taken into account dropping oil prices. I'm talking about your writing portfolio.

DIVERSIFY YOUR WRITING PORTFOLIO

Though an actual writing portfolio is likely considered a "thing of the past," most agents will agree that it is useful to add depth to your bio. Diversifying demonstrates a flexible attitude, which is in high demand in today’s publishing market. Consider adding some poetry to your YA, a handful of personal essays to offset your sci-fi / thrillers, or a little humor-writing to balance out your research-based nonfiction.

Extend your limits with a challenge, such as crafting on-demand short stories for NYC Midnight, with an assigned genre, character, and subject, a limited word count, and a ticking clock that allows less time with each advancing round. It's an international competition, and the feedback from judges is spectacular. NYC Midnight also has a screenwriting challenge, for those who might wish to try their hand in that field.


Wednesday, April 5, 2017

Need I Say More? I Guess I Do.

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by J.C. Lynne


















I've been around and about the last few weeks talking to writers, emailing writers, and seeing them at workshops. Conference season is the buzz everywhere I've been. Agents, editor, publishers, and writers of all ilk are traveling one place or another to get some face time with each other.

Don't Miss This One!
Maybe I'm biased, but of all of the conferences I've attended Northern Colorado Writers puts on one heck of a doozy. Indeed, I thought I had grown a bit conferenced out until I had the opportunity to moderate two different panel discussions and rediscovered the real reason I love conferences, and this one in particular, in the first place.


Wednesday, March 29, 2017

Show, Don't Tell










By Ronda Simmons





Ah, the vicious SDT (not to be confused with an STD, which can also be vicious). If you want to really piss off a writer, just make the old Show, Don’t Tell comment. As in, “Your dialog is fantastic and you’ve definitely done your research on the social habits of mid-century urbanites, but your plot suffers from too much telling.” 

That kind of critique gets under a writer’s skin as the most ambiguous, pain in the neck, weak as water comment ever made. And yet, mastering the art of Show, Don't Tell is one of the most important skills a writer needs in her or his tool box.


Wednesday, March 22, 2017

On Not Fitting In

by David Sharp


Who’s up for some commiseration?

Now, I’m not talking about having nobody better to talk to at a party than the host’s goldfish, though I could write a series of blog posts on that. Today, I’m talking about that special frustration when your masterpiece doesn’t seem to be what anybody’s looking for.

Your romance novel featuring vampire cats practically wrote itself back in the composition phase. But now that you’re trying to shop it out to literary agents, it doesn’t seem to be right for anybody’s list. Go figure, right? Sometimes your inspiration and the whims of the market don’t line up. What’s a writer to do?

It Turns Out Publishing Is a Business

The black hole between genres.
It's real, my friends.  It's real.
Who among us decided to write a political thriller because we noticed that the demand had overreached the supply? Don’t raise your hand; it’s rhetorical. But publishers (and by proxy literary agents) have to see things in those terms. If they don’t, they’re not likely to get very far. And gauging something like that requires a great deal of categorization.

If horror is in-demand right now, then we need to be able to define what horror is. But categories can be tricky if your vision doesn’t fit within them. It can feel like you’re being asked to be either a good witch or a bad witch when actually you’re a runaway from Kansas who’s just seen color for the first time.

Wednesday, March 15, 2017

Discover Your Tribe at the NCW Conference

by April Moore

12th Annual Northern Colorado Writers Conference
Imagination: The Alchemy of Writing
May 5-6, Fort Collins Marriott

I attended my first NCW conference in 2010. I then joined the Conference Creative Team for 2011 and I’ve been to every NCW Conference since. I’ve attended other writer’s conferences in Denver, Jackson Hole, and New York City, but I can say, (and I promise I’m not being biased), I think the NCW Conference is my favorite and here’s why:

Small size. With attendance between 130-150, participants generally have more opportunity to
engage with fellow attendees and faculty than at larger conferences. When was the last time you chatted with an agent or editor over a coffee or cocktail? It’s easy to be overwhelmed by large conferences, and even though you're surrounded by hundreds of others, it can feel lonely and isolating when you don’t know anyone else. 

Welcoming and inclusive. Many writers, particularly ones new to the industry, often think they have no business at a writer’s conference until they’re an “established” author. Banish this thought! Writer’s conferences are incredibly beneficial to you new writers because you’ll meet people who will likely become your biggest support system; you’ll gain an enormous amount of insight and knowledge about writing, all in one place; and you’ll go home feeling energized and inspired to write.


Wednesday, March 8, 2017

Into the Rough

by Laura Mahal


I’ll admit, I am no golfer. Other than mini-golf, that favored pastime of adolescents, I have never stepped onto a green. Except when I was in Scotland and the entire country was a green.

I do know enough about the sport to recognize that it is considered best to avoid the rough. The “rough” is an area of taller grass that borders the fairway. (Isn’t “fairway” a lovely term? Let’s save that for another blog post. Ideas are flying into my head faster than salmon swim upstream.)

Back to the subject of golf.


As I understand it, the rough serves several purposes.

One, it defines what the borders of the fairway are . . . . Once a golfer hits a ball outside the designated (and therefore, I might assume) optimum area of play, then he or she will find it, umm, rougher to make their next shot. This grass resists the graceful swing, tugging back against the ball.

Two, the rough serves as a form of castigation for the golfer who carelessly sends a ball off-target. On some courses, there are apparently first and second cuts to the rough. The first isn’t so bad, really. A well-placed stroke can lift the ball out of harm’s way and back onto the green. But the second cut, well. Good luck, dear golfer. Sheep, goats and rabbits aren’t interested in nibbling this thick, gnarly grass, which eats golf balls for breakfast.

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